Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 73
... nature and reflective by habit . Both may even be called , in a popular sense , philosophic ; Brutus may be called so in a stricter sense . Each , being also a " good " man , shows accordingly , when placed in critical circum- stances ...
... nature and reflective by habit . Both may even be called , in a popular sense , philosophic ; Brutus may be called so in a stricter sense . Each , being also a " good " man , shows accordingly , when placed in critical circum- stances ...
Seite 181
... nature , the kind of good nature that wins popularity and is often taken as the sign , not of a good digestion , but of a good heart . And lastly , it may be inferred that , before the giant crime which we wit- ness , lago had never ...
... nature , the kind of good nature that wins popularity and is often taken as the sign , not of a good digestion , but of a good heart . And lastly , it may be inferred that , before the giant crime which we wit- ness , lago had never ...
Seite 250
... Nature - of a natural appetite asserting itself against the social order ; and he has no recognized place within this order . So he devotes himself to Nature , whose law is that of the stronger , and who does not recognize those moral ...
... Nature - of a natural appetite asserting itself against the social order ; and he has no recognized place within this order . So he devotes himself to Nature , whose law is that of the stronger , and who does not recognize those moral ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words