Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 35
... once reject . They would maintain , on the contrary , that this order shows characteristics of quite another kind from those which made us give it the name of fate , char- acteristics which certainly should not induce us to forget those ...
... once reject . They would maintain , on the contrary , that this order shows characteristics of quite another kind from those which made us give it the name of fate , char- acteristics which certainly should not induce us to forget those ...
Seite 152
... once , and at the very end of the play . In Othello , after the temptation has begun , it is incessant and terrible . The skill of Iago was ex- traordinary , but so was his good fortune . Again and again a chance word from Desdemona , a ...
... once , and at the very end of the play . In Othello , after the temptation has begun , it is incessant and terrible . The skill of Iago was ex- traordinary , but so was his good fortune . Again and again a chance word from Desdemona , a ...
Seite 179
... once perceived that the right plan for Cassio to get his post again was to ask Desdemona to intercede . So troubled was he at his friend's disgrace that his own wife was sure " it grieved her husband as if the case was his . " What ...
... once perceived that the right plan for Cassio to get his post again was to ask Desdemona to intercede . So troubled was he at his friend's disgrace that his own wife was sure " it grieved her husband as if the case was his . " What ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words