Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 188
... pain of others as simple and direct as the delight in one's own pleasure ? Surely not . I will not insist that this ... pain of a person disliked or regarded as a competitor is quite distinct from pleasure in the pain of others ...
... pain of others as simple and direct as the delight in one's own pleasure ? Surely not . I will not insist that this ... pain of a person disliked or regarded as a competitor is quite distinct from pleasure in the pain of others ...
Seite 190
... pain , not from any disinterested love of evil or pleasure in pain , but mainly because this pain is the un- mistakable proof of his own power over his victim . So it is with lago . His thwarted sense of superiority wants satis- faction ...
... pain , not from any disinterested love of evil or pleasure in pain , but mainly because this pain is the un- mistakable proof of his own power over his victim . So it is with lago . His thwarted sense of superiority wants satis- faction ...
Seite 241
... pain , the agony in which he actually dies is one not of pain but of ecstasy . Suddenly , with a cry represented in the oldest text by a four - times repeated " O , " he exclaims : Do you see this ? Look on her , look , her lips , Look ...
... pain , the agony in which he actually dies is one not of pain but of ecstasy . Suddenly , with a cry represented in the oldest text by a four - times repeated " O , " he exclaims : Do you see this ? Look on her , look , her lips , Look ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words