Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 242
... passage of poetry , one of the qualities we have in mind when we dis- tinguish poetry as " romantic . " Nothing like Hamlet's mys- terious sigh " The rest is silence , " nothing like Othello's mem- ories of his life of marvel and ...
... passage of poetry , one of the qualities we have in mind when we dis- tinguish poetry as " romantic . " Nothing like Hamlet's mys- terious sigh " The rest is silence , " nothing like Othello's mem- ories of his life of marvel and ...
Seite 330
... passage , then , on the ground that it is not humorous enough for Shakespeare , seems to me to show this want . It is to judge the passage as though it were a separate composition , instead of conceiving it in the fullness of its ...
... passage , then , on the ground that it is not humorous enough for Shakespeare , seems to me to show this want . It is to judge the passage as though it were a separate composition , instead of conceiving it in the fullness of its ...
Seite 347
... passage Hamlet is serious but Shakespeare ironical , then in the other passage all those famous remarks about drama and acting , which have been cherished as Shakespeare's by all the world , express the opposite of Shakespeare's opinion ...
... passage Hamlet is serious but Shakespeare ironical , then in the other passage all those famous remarks about drama and acting , which have been cherished as Shakespeare's by all the world , express the opposite of Shakespeare's opinion ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words