Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 16
... persons ( many more than the persons in a Greek play , unless the members of the Chorus are reckoned among them ) ; but it is pre - eminently the story of one person , the " hero , " or at most of two , the " hero " and " heroine ...
... persons ( many more than the persons in a Greek play , unless the members of the Chorus are reckoned among them ) ; but it is pre - eminently the story of one person , the " hero , " or at most of two , the " hero " and " heroine ...
Seite 24
... persons or groups , we may say that two of such passions or ideas , regarded as animating two persons or groups , are the combatants . The love of Romeo and Juliet is in conflict with the hatred of their houses , represented by various ...
... persons or groups , we may say that two of such passions or ideas , regarded as animating two persons or groups , are the combatants . The love of Romeo and Juliet is in conflict with the hatred of their houses , represented by various ...
Seite 322
... persons concerned . Neither they , nor Duncan , nor Malcolm , nor even Banquo himself , have been imagined intensely , and therefore they do not pro- duce that sense of unique personality which Shakespeare could convey in a much smaller ...
... persons concerned . Neither they , nor Duncan , nor Malcolm , nor even Banquo himself , have been imagined intensely , and therefore they do not pro- duce that sense of unique personality which Shakespeare could convey in a much smaller ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words