Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 31
... present question . From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent - as , in that sense , a " moral order " : for in that ...
... present question . From the first it follows that the ultimate power in the tragic world is not adequately described as a law or order which we can see to be just and benevolent - as , in that sense , a " moral order " : for in that ...
Seite 112
... present in the original form of the speech , for the version in the First Quarto has a line about our being " borne before an ever- lasting Judge . " 3 The present position of the " To be or not to be " soliloquy , and of the interview ...
... present in the original form of the speech , for the version in the First Quarto has a line about our being " borne before an ever- lasting Judge . " 3 The present position of the " To be or not to be " soliloquy , and of the interview ...
Seite 244
... present , of course , till France and Burgundy enter ; but while he is present he says not a word beyond " Here's France and Burgundy , my noble lord . " For some remarks on the possi- bility that Shakespeare imagined him as having ...
... present , of course , till France and Burgundy enter ; but while he is present he says not a word beyond " Here's France and Burgundy , my noble lord . " For some remarks on the possi- bility that Shakespeare imagined him as having ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words