Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 80
... probably ex- erted a greater fascination , and certainly has been the sub- ject of more discussion , than any other in the whole litera- ture of the world . Before , however , we approach the task of examining it , it is as well to ...
... probably ex- erted a greater fascination , and certainly has been the sub- ject of more discussion , than any other in the whole litera- ture of the world . Before , however , we approach the task of examining it , it is as well to ...
Seite 357
... probably only about a day and a half : or , to put it otherwise , that most probably Othello kills his wife about twenty - four hours after the con- summation of their marriage ! The only possible place , it will be seen , where time ...
... probably only about a day and a half : or , to put it otherwise , that most probably Othello kills his wife about twenty - four hours after the con- summation of their marriage ! The only possible place , it will be seen , where time ...
Seite 414
... probably only two or three are Shakespeare's ; but the rise in the number of light endings is so marked as to be significant . And most significant is this rise in the case of Macbeth , which , like Shakespeare's part of Timon , is much ...
... probably only two or three are Shakespeare's ; but the rise in the number of light endings is so marked as to be significant . And most significant is this rise in the case of Macbeth , which , like Shakespeare's part of Timon , is much ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words