Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 62
... reason . The method suits a plot based on intrigue . It may produce intense suspense . It may stir most powerfully the tragic feel- ings of pity and fear . And it throws into relief that aspect of tragedy in which great or beautiful ...
... reason . The method suits a plot based on intrigue . It may produce intense suspense . It may stir most powerfully the tragic feel- ings of pity and fear . And it throws into relief that aspect of tragedy in which great or beautiful ...
Seite 88
... reason may be an unconscious excuse , but is it believable that , if the real reason had been the stirrings of his deeper conscience , that could have masked itself in the form of a desire to send his enemy's soul to hell ? Is not ...
... reason may be an unconscious excuse , but is it believable that , if the real reason had been the stirrings of his deeper conscience , that could have masked itself in the form of a desire to send his enemy's soul to hell ? Is not ...
Seite 187
... reason for ill will to Cassio never appears till the Fifth Act . What is the meaning of all this ? Unless ... reasons for the project . He is the counterpart of Hamlet , who tries to find reasons for his delay in pursuing a design ...
... reason for ill will to Cassio never appears till the Fifth Act . What is the meaning of all this ? Unless ... reasons for the project . He is the counterpart of Hamlet , who tries to find reasons for his delay in pursuing a design ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words