Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 46
... seems to be prefigured in Antony's muttered words ( 1 , ii , 120 ) : These strong Egyptian fetters I must break , Or lose myself in dotage ; and , again , in Hamlet's weary sigh , following so soon on the passionate resolution stirred ...
... seems to be prefigured in Antony's muttered words ( 1 , ii , 120 ) : These strong Egyptian fetters I must break , Or lose myself in dotage ; and , again , in Hamlet's weary sigh , following so soon on the passionate resolution stirred ...
Seite 133
... seems to me im- possible in some places to answer . For example , his be- havior at the play scene seems to me to show an intention to hurt and insult ; but in the nunnery scene ( which cannot be discussed briefly ) he is evidently ...
... seems to me im- possible in some places to answer . For example , his be- havior at the play scene seems to me to show an intention to hurt and insult ; but in the nunnery scene ( which cannot be discussed briefly ) he is evidently ...
Seite 154
... seems to me the most doubtful . I confess that , do what I will , I cannot reconcile myself with it . It seems certain that the blow is by no means a tap on the shoulder with a roll of paper , as some actors , feeling the repulsiveness ...
... seems to me the most doubtful . I confess that , do what I will , I cannot reconcile myself with it . It seems certain that the blow is by no means a tap on the shoulder with a roll of paper , as some actors , feeling the repulsiveness ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words