Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 189
... sense of power and superiority ; and if it involved , secondly , the triumphant exertion of his abilities , and , thirdly , the excitement of dan- ger , his delight would be consummated . And the moment most dangerous to such a man ...
... sense of power and superiority ; and if it involved , secondly , the triumphant exertion of his abilities , and , thirdly , the excitement of dan- ger , his delight would be consummated . And the moment most dangerous to such a man ...
Seite 194
... sense he is a thing of mere evil . They are frightful , but if they were absolute Iago would be a monster , not a ... sense . And , once more , if he really possessed no moral sense , we should never have heard those soliloquies which so ...
... sense he is a thing of mere evil . They are frightful , but if they were absolute Iago would be a monster , not a ... sense . And , once more , if he really possessed no moral sense , we should never have heard those soliloquies which so ...
Seite 230
... sense of a strict requital or such an adjustment of merit and prosperity as our moral sense is said to demand ; and there never was vainer labor than that of critics who try to make out that the persons in these dramas meet with ...
... sense of a strict requital or such an adjustment of merit and prosperity as our moral sense is said to demand ; and there never was vainer labor than that of critics who try to make out that the persons in these dramas meet with ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words