Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
Im Buch
Ergebnisse 1-3 von 58
Seite 195
... simply astonishingly clever , or simply a consummate master of intrigue . But compare him with one who may perhaps be roughly called a bad man of supreme intellectual power , Napoleon , and you see how small and negative Iago's mind is ...
... simply astonishingly clever , or simply a consummate master of intrigue . But compare him with one who may perhaps be roughly called a bad man of supreme intellectual power , Napoleon , and you see how small and negative Iago's mind is ...
Seite 207
... simply as a work of poetic imagination . But if King Lear is to be considered strictly as a drama , or simply as we consider Othello , it is not so clear that the wish is unjustified . In fact I will take my courage in both hands and ...
... simply as a work of poetic imagination . But if King Lear is to be considered strictly as a drama , or simply as we consider Othello , it is not so clear that the wish is unjustified . In fact I will take my courage in both hands and ...
Seite 359
... simply no existence for him and are perfectly useless . The theory , therefore , does not explain the existence of " Short Time . " ( b ) It is not the case that " Short Time " is wanted only to produce an impression of vehemence and ...
... simply no existence for him and are perfectly useless . The theory , therefore , does not explain the existence of " Short Time . " ( b ) It is not the case that " Short Time " is wanted only to produce an impression of vehemence and ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words