Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 66
... soliloquies . It will be agreed that in listening to a soliloquy we ought never to feel that we are being addressed . And in this respect , as in others , many of the soliloquies are masterpieces . But certainly in some the purpose of ...
... soliloquies . It will be agreed that in listening to a soliloquy we ought never to feel that we are being addressed . And in this respect , as in others , many of the soliloquies are masterpieces . But certainly in some the purpose of ...
Seite 112
... soliloquy ( " O that this too too solid flesh would melt " ) two months ago , before ever he heard of his father's murder.2 His reflections have no reference to this particular moment ; they represent that habitual weariness of life ...
... soliloquy ( " O that this too too solid flesh would melt " ) two months ago , before ever he heard of his father's murder.2 His reflections have no reference to this particular moment ; they represent that habitual weariness of life ...
Seite 187
... soliloquy but the second , and then disappears forever . Iago's " love " of Desdemona is alluded to in the second soliloquy ; there is not the faintest trace of it in word or deed either before or after . The mention of jealousy of ...
... soliloquy but the second , and then disappears forever . Iago's " love " of Desdemona is alluded to in the second soliloquy ; there is not the faintest trace of it in word or deed either before or after . The mention of jealousy of ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words