Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 25
... soul , is not the Shakespearean type . The souls of those who contend with the hero may be thus undivided ; they ... soul . In a Shakespearean tragedy some such forces are shown in conflict . They are shown acting in men and ...
... soul , is not the Shakespearean type . The souls of those who contend with the hero may be thus undivided ; they ... soul . In a Shakespearean tragedy some such forces are shown in conflict . They are shown acting in men and ...
Seite 114
... soul to heaven ; and he would fain kill soul as well as body . That this again is an unconscious excuse for delay is now pretty generally agreed , and it is needless to describe again the state of mind which , on the view explained in ...
... soul to heaven ; and he would fain kill soul as well as body . That this again is an unconscious excuse for delay is now pretty generally agreed , and it is needless to describe again the state of mind which , on the view explained in ...
Seite 168
... soul came in sight of the noblest soul on earth , she made noth- ing of the shrinking of her senses , but followed her soul until her senses took part with it , and " loved him with the 20 Lectures on Shakespeare , ed . Ashe , p . 386 ...
... soul came in sight of the noblest soul on earth , she made noth- ing of the shrinking of her senses , but followed her soul until her senses took part with it , and " loved him with the 20 Lectures on Shakespeare , ed . Ashe , p . 386 ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words