Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 37
... speak simply of good and evil . Let us understand by these words , primarily , moral good and evil , but also everything else in human beings which we take to be excellent or the reverse . Let us understand the statement that the ...
... speak simply of good and evil . Let us understand by these words , primarily , moral good and evil , but also everything else in human beings which we take to be excellent or the reverse . Let us understand the statement that the ...
Seite 67
... speaking rather than Laertes ? Or when the Player King discourses for more than twenty lines on the instability ... speak alike ; and in fact they are far from doing so . passages , and introduces them probably not more freely than ...
... speaking rather than Laertes ? Or when the Player King discourses for more than twenty lines on the instability ... speak alike ; and in fact they are far from doing so . passages , and introduces them probably not more freely than ...
Seite 315
... speak to him . To Macbeth's brief ap- peal , " Speak , if you can : what are you ? " they at once reply , not by saying what they are , but by hailing him Thane of Glamis , Thane of Cawdor , and King hereafter . Banquo is greatly ...
... speak to him . To Macbeth's brief ap- peal , " Speak , if you can : what are you ? " they at once reply , not by saying what they are , but by hailing him Thane of Glamis , Thane of Cawdor , and King hereafter . Banquo is greatly ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words