Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 15
... speare in writing tragedy did represent a certain aspect of life in a certain way , and that through examination of ... speare's conception of tragedy or view of the tragic fact . Two further warnings may be required . In the first ...
... speare in writing tragedy did represent a certain aspect of life in a certain way , and that through examination of ... speare's conception of tragedy or view of the tragic fact . Two further warnings may be required . In the first ...
Seite 41
... speare's methods of characterization , his language , his versi- fication , the construction of his plots . I intend , however , to speak only of the last of these subjects , which has been somewhat neglected ; and , as construction is ...
... speare's methods of characterization , his language , his versi- fication , the construction of his plots . I intend , however , to speak only of the last of these subjects , which has been somewhat neglected ; and , as construction is ...
Seite 99
... speare's own , the immediate product of the wondering and meditating mind ; and such thoughts as that celebrated one , " There is nothing either good or bad but thinking makes it so , " surely needed no special training to produce them ...
... speare's own , the immediate product of the wondering and meditating mind ; and such thoughts as that celebrated one , " There is nothing either good or bad but thinking makes it so , " surely needed no special training to produce them ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words