Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 16
... story as being concerned primarily with one person . The story , next , leads up to , and includes , the death of the hero . On the one hand ( whatever may be true of trag- edy elsewhere ) , no play at the end of which the hero remains ...
... story as being concerned primarily with one person . The story , next , leads up to , and includes , the death of the hero . On the one hand ( whatever may be true of trag- edy elsewhere ) , no play at the end of which the hero remains ...
Seite 19
... story of the prince , the triumvir , or the general , has a greatness and dig- nity of its own . His fate affects the welfare of a whole nation or empire ; and when he falls suddenly from the height of earthly greatness to the dust ...
... story of the prince , the triumvir , or the general , has a greatness and dig- nity of its own . His fate affects the welfare of a whole nation or empire ; and when he falls suddenly from the height of earthly greatness to the dust ...
Seite 79
... story turns upon the peculiar char- acter of the hero . For without this character the story would appear sensational and horrible ; and yet the actual Hamlet is very far from being so , and even has a less terrible effect than Othello ...
... story turns upon the peculiar char- acter of the hero . For without this character the story would appear sensational and horrible ; and yet the actual Hamlet is very far from being so , and even has a less terrible effect than Othello ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words