Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 131
... suggest this ; and , considering the state of his mind , there is nothing unnatural in his suffering from such a suspicion . I do not suggest that he believed in it , and in the nunnery scene it is clear that his healthy percep- tion of ...
... suggest this ; and , considering the state of his mind , there is nothing unnatural in his suffering from such a suspicion . I do not suggest that he believed in it , and in the nunnery scene it is clear that his healthy percep- tion of ...
Seite 211
... suggest that in King Lear Shakespeare was less concerned than usual with dramatic fitness ; improbabilities , inconsistencies , sayings and doings which suggest questions only to be an- swered by conjecture . The improbabilities in King ...
... suggest that in King Lear Shakespeare was less concerned than usual with dramatic fitness ; improbabilities , inconsistencies , sayings and doings which suggest questions only to be an- swered by conjecture . The improbabilities in King ...
Seite 338
... suggest that Hamlet had only just left " school . " I do not see how to account for these passages except on this hypothesis . But it in its turn involves a certain difficulty . Horatio , Rosencrantz and Guildenstern seem to be of about ...
... suggest that Hamlet had only just left " school . " I do not see how to account for these passages except on this hypothesis . But it in its turn involves a certain difficulty . Horatio , Rosencrantz and Guildenstern seem to be of about ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words