Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 63
... suppose that his method of constructing and composing differed , except in degree , from that of the most " conscious " of artists . The antithesis of art and inspi- ration , though not meaningless , is often most misleading ...
... suppose that his method of constructing and composing differed , except in degree , from that of the most " conscious " of artists . The antithesis of art and inspi- ration , though not meaningless , is often most misleading ...
Seite 79
... Suppose you were to describe the plot of Hamlet to a person quite ignorant of the play , and suppose you were careful to tell your hearer nothing about Hamlet's character , what impression would your sketch make on him ? Would he not ...
... Suppose you were to describe the plot of Hamlet to a person quite ignorant of the play , and suppose you were careful to tell your hearer nothing about Hamlet's character , what impression would your sketch make on him ? Would he not ...
Seite 399
... suppose that Albany was not young , there is nothing to prove his youth . As to the meaning of the last two lines ( a poor conclusion to such a play ) I should suppose that " the oldest " is not Lear , but " the oldest of us , " viz ...
... suppose that Albany was not young , there is nothing to prove his youth . As to the meaning of the last two lines ( a poor conclusion to such a play ) I should suppose that " the oldest " is not Lear , but " the oldest of us , " viz ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words