Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 208
... Surely , it says , the tragic emotions have been sufficiently stirred already . Surely the tragic out- come of Lear's error and his daughters ' ingratitude has been made clear enough and moving enough . And , still more surely , such a ...
... Surely , it says , the tragic emotions have been sufficiently stirred already . Surely the tragic out- come of Lear's error and his daughters ' ingratitude has been made clear enough and moving enough . And , still more surely , such a ...
Seite 229
... surely be strange . For King Lear is admittedly one of the world's greatest poems , and yet there is surely no other of these poems which pro- duces on the whole this effect , and we regard it as a very serious flaw in any considerable ...
... surely be strange . For King Lear is admittedly one of the world's greatest poems , and yet there is surely no other of these poems which pro- duces on the whole this effect , and we regard it as a very serious flaw in any considerable ...
Seite 376
... ( surely a passage written or , at the least , rewritten by Shake- speare ) , 392 , 426 f . I ignore the constant abuse of the dog in the conversations where Apemantus appears . ( 3 ) Further points of resemblance are noted in the text at ...
... ( surely a passage written or , at the least , rewritten by Shake- speare ) , 392 , 426 f . I ignore the constant abuse of the dog in the conversations where Apemantus appears . ( 3 ) Further points of resemblance are noted in the text at ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words