Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 15
... things are all possible ; how far any one of them is probable we need not discuss ; but none of them is presupposed by the question we are going to consider . This question implies only that , as a matter of fact , Shake- speare in ...
... things are all possible ; how far any one of them is probable we need not discuss ; but none of them is presupposed by the question we are going to consider . This question implies only that , as a matter of fact , Shake- speare in ...
Seite 69
... things as the scenes of Duncan's murder or Othello's temptation , such speeches as those of the Duke to Claudio and ... things , which seem to come whenever they are wanted , have no companions in literature except the few greatest ...
... things as the scenes of Duncan's murder or Othello's temptation , such speeches as those of the Duke to Claudio and ... things , which seem to come whenever they are wanted , have no companions in literature except the few greatest ...
Seite 193
... things evil , Would men observingly distil it out ; but here , it may be said , we are shown a thing absolutely evil , and - what is more dreadful still - this absolute evil is united with supreme intellectual power . Why is the repre ...
... things evil , Would men observingly distil it out ; but here , it may be said , we are shown a thing absolutely evil , and - what is more dreadful still - this absolute evil is united with supreme intellectual power . Why is the repre ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words