Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 56
... tion , of the greatest consequence from the purely theatrical point of view . ( c ) It has yet another function . It shows , in Macbeth's furious irritability and purposeless savagery , the internal reac- tion which accompanies the ...
... tion , of the greatest consequence from the purely theatrical point of view . ( c ) It has yet another function . It shows , in Macbeth's furious irritability and purposeless savagery , the internal reac- tion which accompanies the ...
Seite 131
... tion appear to Hamlet , already sick at heart because of his mother's frailty , 18 and now finding that , the moment for- tune has turned against him , the woman who had welcomed his love turns against him too ? Even if he divined ( as ...
... tion appear to Hamlet , already sick at heart because of his mother's frailty , 18 and now finding that , the moment for- tune has turned against him , the woman who had welcomed his love turns against him too ? Even if he divined ( as ...
Seite 202
... tion , where Gloster says to Edmund : and of my land , Loyal and natural boy , I'll work the means To make thee capable , reminds us of Othello's last words in the scene of tempta- tion , " Now art thou my lieutenant . " This list might ...
... tion , where Gloster says to Edmund : and of my land , Loyal and natural boy , I'll work the means To make thee capable , reminds us of Othello's last words in the scene of tempta- tion , " Now art thou my lieutenant . " This list might ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words