Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 49
... tragedies with the Third ; for , speaking very roughly , we may say that the First and Fourth are relatively quiet acts , the Third highly critical . A good ex- ample is the Third Act of King Lear , where the scenes of high tension ( ii ...
... tragedies with the Third ; for , speaking very roughly , we may say that the First and Fourth are relatively quiet acts , the Third highly critical . A good ex- ample is the Third Act of King Lear , where the scenes of high tension ( ii ...
Seite 51
... tragedies the simplicity of the constructional effect , it should be noticed , depends in part on the fact that the contending forces may quite naturally be identified with certain per- sons , and partly again on the fact that the ...
... tragedies the simplicity of the constructional effect , it should be noticed , depends in part on the fact that the contending forces may quite naturally be identified with certain per- sons , and partly again on the fact that the ...
Seite 59
... tragedies , again , an expedient is used , which Freytag has pointed out ( though he sometimes finds it , I think , where it is not really employed ) . Shakespeare very rarely makes the least attempt to surprise by his catastrophes ...
... tragedies , again , an expedient is used , which Freytag has pointed out ( though he sometimes finds it , I think , where it is not really employed ) . Shakespeare very rarely makes the least attempt to surprise by his catastrophes ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words