Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 67
... true that in his earlier plays these faults are trace- able in some degree , and even in Hamlet there are striking passages where dramatic appropriateness is sacrificed to some other object . When Laertes speaks the lines beginning ...
... true that in his earlier plays these faults are trace- able in some degree , and even in Hamlet there are striking passages where dramatic appropriateness is sacrificed to some other object . When Laertes speaks the lines beginning ...
Seite 133
... true , how is it that neither in the nunnery scene nor at the play scene does Shakespeare insert anything to make ... true , if I may put it thus , of the inner healthy self which doubtless in time would have fully re- asserted itself ...
... true , how is it that neither in the nunnery scene nor at the play scene does Shakespeare insert anything to make ... true , if I may put it thus , of the inner healthy self which doubtless in time would have fully re- asserted itself ...
Seite 141
... true , Hamlet fears it will not last , and so at the end of the interview ( II , iv , 180 ff . ) he adds a warning that , if she betrays him , she will ruin herself as well.27 It is true too that there is no sign of her obeying Hamlet ...
... true , Hamlet fears it will not last , and so at the end of the interview ( II , iv , 180 ff . ) he adds a warning that , if she betrays him , she will ruin herself as well.27 It is true too that there is no sign of her obeying Hamlet ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words