Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 196
... truth , and Cassio will deny it in vain . And then , in a moment , his plot is shattered by a blow from a quarter where he never dreamt of danger . He knows his wife , he thinks . She is not overscrupulous , she will do anything to ...
... truth , and Cassio will deny it in vain . And then , in a moment , his plot is shattered by a blow from a quarter where he never dreamt of danger . He knows his wife , he thinks . She is not overscrupulous , she will do anything to ...
Seite 266
... truth is not to tell it . And Cordelia's speech not only tells much less than truth about her love , it actually perverts the truth when it im- plies that to give love to a husband is to take it from a father . There surely never was a ...
... truth is not to tell it . And Cordelia's speech not only tells much less than truth about her love , it actually perverts the truth when it im- plies that to give love to a husband is to take it from a father . There surely never was a ...
Seite 353
... truth as any he could devise . For we are not to take the account he gives to Horatio , that he was put in a passion by the bravery of Laertes ' grief , as the whole truth . His raving over the grave is not mere acting . On the contrary ...
... truth as any he could devise . For we are not to take the account he gives to Horatio , that he was put in a passion by the bravery of Laertes ' grief , as the whole truth . His raving over the grave is not mere acting . On the contrary ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words