Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 209
... whole " would " lose its significance , " because it would no longer show us that the belief in Providence " requires a wider range than the dark pilgrimage on earth to be established in its whole extent , " I answer that , if the drama ...
... whole " would " lose its significance , " because it would no longer show us that the belief in Providence " requires a wider range than the dark pilgrimage on earth to be established in its whole extent , " I answer that , if the drama ...
Seite 229
... whole poem , lay the keystone of the whole arch of thought . There is no contest of conflict- ing forces , no judgment so much as by casting of lots : far less is there any light of heavenly harmony or of heavenly wisdom , of Apollo or ...
... whole poem , lay the keystone of the whole arch of thought . There is no contest of conflict- ing forces , no judgment so much as by casting of lots : far less is there any light of heavenly harmony or of heavenly wisdom , of Apollo or ...
Seite 230
... whole with a catastrophe . A drama like the Philoctetes is a self - contained whole , but , ending with a solution , it corresponds not with a Shakespearean tragedy but with a play like Cymbeline . A drama like the Agamemnon or the ...
... whole with a catastrophe . A drama like the Philoctetes is a self - contained whole , but , ending with a solution , it corresponds not with a Shakespearean tragedy but with a play like Cymbeline . A drama like the Agamemnon or the ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words