Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... Iago as well as Desdemona, Iago's cruelty as well as Iago's courage. It is not poisoned, it poisons itself. Doubtless it shows by its violent reaction that the poison is poison, and that its health lies in good. But one significant fact ...
... Iago as well as Desdemona, Iago's cruelty as well as Iago's courage. It is not poisoned, it poisons itself. Doubtless it shows by its violent reaction that the poison is poison, and that its health lies in good. But one significant fact ...
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... Iago is taken as the leading figure, the usual mode of construction is plainly abandoned, for there will nowhere be a crisis followed by a descending movement. Iago's cause advances, at first slowly and quietly, then rapidly, but it ...
... Iago is taken as the leading figure, the usual mode of construction is plainly abandoned, for there will nowhere be a crisis followed by a descending movement. Iago's cause advances, at first slowly and quietly, then rapidly, but it ...
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... Iago's two talks with Roderigo. But the fact that Shakespeare can make a plan succeed does not show that the plan is, abstractedly considered, a good plan; and if the scheme of construction in Othello were placed, in the shape of a mere ...
... Iago's two talks with Roderigo. But the fact that Shakespeare can make a plan succeed does not show that the plan is, abstractedly considered, a good plan; and if the scheme of construction in Othello were placed, in the shape of a mere ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole