Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... Iago comes nearer to it, and if Iago had slandered Imogen and had supposed his slanders to have led to her death, he certainly would not have turned melancholy and wished to die. One reason why the end of the Merchant of Venice fails to ...
... Iago comes nearer to it, and if Iago had slandered Imogen and had supposed his slanders to have led to her death, he certainly would not have turned melancholy and wished to die. One reason why the end of the Merchant of Venice fails to ...
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... Iago, and he too is caught in the web he spins for others. Hamlet, recoiling from the rough duty of revenge, is pushed into blood-guiltiness he never dreamed of, and forced at last on the revenge he could not will. His adversary's ...
... Iago, and he too is caught in the web he spins for others. Hamlet, recoiling from the rough duty of revenge, is pushed into blood-guiltiness he never dreamed of, and forced at last on the revenge he could not will. His adversary's ...
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... Iago; will ever accuse Shakespeare of representing the ultimate power as 'poetically' just. And we must go further. I venture to say that it is a mistake to use at all these terms of justice and merit or desert. And this for two reasons ...
... Iago; will ever accuse Shakespeare of representing the ultimate power as 'poetically' just. And we must go further. I venture to say that it is a mistake to use at all these terms of justice and merit or desert. And this for two reasons ...
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... Iago is the main source of the convulsion in Othello; Goneril, Regan and Edmund in King Lear. Even when this plain moral evil is not the obviously prime source within the play, it lies behind it: the situation with which Hamlet has to ...
... Iago is the main source of the convulsion in Othello; Goneril, Regan and Edmund in King Lear. Even when this plain moral evil is not the obviously prime source within the play, it lies behind it: the situation with which Hamlet has to ...
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... Iago's cruelty as well as Iago's courage. It is not poisoned, it poisons itself. Doubtless it shows by its violent reaction that the poison is poison, and that its health lies in good. But one significant fact cannot remove another, and ...
... Iago's cruelty as well as Iago's courage. It is not poisoned, it poisons itself. Doubtless it shows by its violent reaction that the poison is poison, and that its health lies in good. But one significant fact cannot remove another, and ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole