Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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Andrew Cecil Bradley. A. C. Bradley Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth PREFACE These lectures are based on a selection from materials.
Andrew Cecil Bradley. A. C. Bradley Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth PREFACE These lectures are based on a selection from materials.
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... Lear we see A sight most pitiful in the meanest wretch, Past speaking of in a king; and if we would realise the truth in this matter we cannot do better than compare with the effect of King Lear the effect of Tourgénief's parallel and ...
... Lear we see A sight most pitiful in the meanest wretch, Past speaking of in a king; and if we would realise the truth in this matter we cannot do better than compare with the effect of King Lear the effect of Tourgénief's parallel and ...
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... King Lear, Othello, or Antony and Cleopatra can be arranged in opposed groups; 7 and no doubt there is a conflict; and yet it seems misleading to describe this conflict as one between these groups. It cannot be simply this. For though ...
... King Lear, Othello, or Antony and Cleopatra can be arranged in opposed groups; 7 and no doubt there is a conflict; and yet it seems misleading to describe this conflict as one between these groups. It cannot be simply this. For though ...
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... King Lear. Even when this plain moral evil is not the obviously prime source within the play, it lies behind it: the situation with which Hamlet has to deal has been formed by adultery and murder. Julius Caesar is the only tragedy in ...
... King Lear. Even when this plain moral evil is not the obviously prime source within the play, it lies behind it: the situation with which Hamlet has to deal has been formed by adultery and murder. Julius Caesar is the only tragedy in ...
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... King Lear. The tone is pitched so low that the conversation between Kent, Gloster, and Edmund is written in prose. But at the thirty-fourth line it is broken off by the entrance of Lear and his court, and without delay the King proceeds ...
... King Lear. The tone is pitched so low that the conversation between Kent, Gloster, and Edmund is written in prose. But at the thirty-fourth line it is broken off by the entrance of Lear and his court, and without delay the King proceeds ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole