Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... Macbeth's sleep-walking has no influence whatever on the events that follow it. Macbeth did not murder Duncan because he saw a dagger in the air: he saw the dagger because he was about to murder Duncan. Lear's insanity is not the cause ...
... Macbeth's sleep-walking has no influence whatever on the events that follow it. Macbeth did not murder Duncan because he saw a dagger in the air: he saw the dagger because he was about to murder Duncan. Lear's insanity is not the cause ...
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... Macbeth the hero and heroine are opposed to the representatives of Duncan. In all these cases the great majority of the dramatis personae fall without difficulty into antagonistic groups, and the conflict between these groups ends with ...
... Macbeth the hero and heroine are opposed to the representatives of Duncan. In all these cases the great majority of the dramatis personae fall without difficulty into antagonistic groups, and the conflict between these groups ends with ...
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Andrew Cecil Bradley. ambition in Macbeth collides with loyalty and patriotism in Macduff and Malcolm: here is the outward conflict. But these powers or principles equally collide in the soul of Macbeth himself: here is the inner. And ...
Andrew Cecil Bradley. ambition in Macbeth collides with loyalty and patriotism in Macduff and Malcolm: here is the outward conflict. But these powers or principles equally collide in the soul of Macbeth himself: here is the inner. And ...
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... Macbeth and Hamlet; or who asks himself which suffered most, Othello or Iago; will ever accuse Shakespeare of representing the ultimate power as 'poetically' just. And we must go further. I venture to say that it is a mistake to use at ...
... Macbeth and Hamlet; or who asks himself which suffered most, Othello or Iago; will ever accuse Shakespeare of representing the ultimate power as 'poetically' just. And we must go further. I venture to say that it is a mistake to use at ...
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... Macbeth is even more remarkable, for there is probably no parallel to its first scene, where the senses and imagination are assaulted by a storm of thunder and supernatural alarm. This scene is only eleven lines long, but its influence ...
... Macbeth is even more remarkable, for there is probably no parallel to its first scene, where the senses and imagination are assaulted by a storm of thunder and supernatural alarm. This scene is only eleven lines long, but its influence ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole