Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... caused by them. This at least may be said of the principal persons, and, among them, of the hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from ...
... caused by them. This at least may be said of the principal persons, and, among them, of the hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from ...
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... cause of a tragic conflict any more than Ophelia's; it is, like Ophelia's, the result of a conflict; and in both cases the effect is mainly pathetic. If Lear were really mad when he divided his kingdom, if Hamlet were really mad at any ...
... cause of a tragic conflict any more than Ophelia's; it is, like Ophelia's, the result of a conflict; and in both cases the effect is mainly pathetic. If Lear were really mad when he divided his kingdom, if Hamlet were really mad at any ...
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... cause of Brutus and Cassius struggles with that of Julius, Octavius and Antony. In Richard II. the King stands on one side, Bolingbroke and his party on the other. In Macbeth the hero and heroine are opposed to the representatives of ...
... cause of Brutus and Cassius struggles with that of Julius, Octavius and Antony. In Richard II. the King stands on one side, Bolingbroke and his party on the other. In Macbeth the hero and heroine are opposed to the representatives of ...
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... caused her death, he would never have lived on, like Leontes. In the same way the villain Iachimo has no touch of tragic greatness. But Iago comes nearer to it, and if Iago had slandered Imogen and had supposed his slanders to have led ...
... caused her death, he would never have lived on, like Leontes. In the same way the villain Iachimo has no touch of tragic greatness. But Iago comes nearer to it, and if Iago had slandered Imogen and had supposed his slanders to have led ...
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... causes, brings on him ruin. This is always so with Shakespeare. As we have seen, the idea of the tragic hero as a being destroyed simply and solely by external forces is quite alien to him; and not less so is the idea of the hero as ...
... causes, brings on him ruin. This is always so with Shakespeare. As we have seen, the idea of the tragic hero as a being destroyed simply and solely by external forces is quite alien to him; and not less so is the idea of the hero as ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole