Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... character, and by denying that such works are to be judged by the standard of pure tragedy. In any case, most of these plays, perhaps all, do show, as a matter of fact, considerable deviations from that standard; and, therefore, what is ...
... character, and by denying that such works are to be judged by the standard of pure tragedy. In any case, most of these plays, perhaps all, do show, as a matter of fact, considerable deviations from that standard; and, therefore, what is ...
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... character, or in character issuing in action. Shakespeare's main interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is ...
... character, or in character issuing in action. Shakespeare's main interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is ...
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... character. The dictum that, with Shakespeare, 'character is destiny' is no doubt an exaggeration, and one that may mislead (for many of his tragic personages, if they had not met with peculiar circumstances, would have escaped a tragic ...
... character. The dictum that, with Shakespeare, 'character is destiny' is no doubt an exaggeration, and one that may mislead (for many of his tragic personages, if they had not met with peculiar circumstances, would have escaped a tragic ...
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... character, with circumstances, as always the sole motive force in this action would be a serious error. But the supernatural is always placed in the closest relation with character. It gives a confirmation and a distinct form to inward ...
... character, with circumstances, as always the sole motive force in this action would be a serious error. But the supernatural is always placed in the closest relation with character. It gives a confirmation and a distinct form to inward ...
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... character, deed, and catastrophe. And Shakespeare really uses it very sparingly. We seldom find ourselves exclaiming, 'What an unlucky accident!' I believe most readers would have to search painfully for instances. It is, further ...
... character, deed, and catastrophe. And Shakespeare really uses it very sparingly. We seldom find ourselves exclaiming, 'What an unlucky accident!' I believe most readers would have to search painfully for instances. It is, further ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole