Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... conflict any more than Ophelia's; it is, like Ophelia's, the result of a conflict; and in both cases the effect is mainly pathetic. If Lear were really mad when he divided his kingdom, if Hamlet were really mad at any time in.
... conflict any more than Ophelia's; it is, like Ophelia's, the result of a conflict; and in both cases the effect is mainly pathetic. If Lear were really mad when he divided his kingdom, if Hamlet were really mad at any time in.
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... conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose, to the influence of Hegel's theory on the subject, certainly the most important theory since Aristotle's. But Hegel's view of the tragic ...
... conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose, to the influence of Hegel's theory on the subject, certainly the most important theory since Aristotle's. But Hegel's view of the tragic ...
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... conflict with the hatred of their houses, represented by various other characters. The cause of Brutus and Cassius struggles with that of Julius, Octavius and Antony. In Richard II. the King stands on one side, Bolingbroke and his party ...
... conflict with the hatred of their houses, represented by various other characters. The cause of Brutus and Cassius struggles with that of Julius, Octavius and Antony. In Richard II. the King stands on one side, Bolingbroke and his party ...
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... conflict. Romeo and Juliet, Richard III., Richard II., where the hero contends with an outward force, but comparatively little with himself, are all early plays. If we are to include the outer and the inner struggle in a conception more ...
... conflict. Romeo and Juliet, Richard III., Richard II., where the hero contends with an outward force, but comparatively little with himself, are all early plays. If we are to include the outer and the inner struggle in a conception more ...
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... conflict. But these powers or principles equally collide in the soul of Macbeth himself: here is the inner. And neither by itself could make the tragedy.8 We shall see later the importance of this idea. Here we need only observe that ...
... conflict. But these powers or principles equally collide in the soul of Macbeth himself: here is the inner. And neither by itself could make the tragedy.8 We shall see later the importance of this idea. Here we need only observe that ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words