Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... course, wish them to be read in their order, and a knowledge of the first two is assumed in the remainder; but readers who may prefer to enter at once on the discussion of the several plays can do so by beginning at page 89. Any one who ...
... course, wish them to be read in their order, and a knowledge of the first two is assumed in the remainder; but readers who may prefer to enter at once on the discussion of the several plays can do so by beginning at page 89. Any one who ...
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... course, to imagine whereabouts the persons are to stand, or what gestures they ought to use; but they want to realise fully and exactly the inner movements which produced these words and no other, these deeds and no other, at each ...
... course, to imagine whereabouts the persons are to stand, or what gestures they ought to use; but they want to realise fully and exactly the inner movements which produced these words and no other, these deeds and no other, at each ...
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... course, solely of human actions or deeds; but the deeds are the predominant factor. And these deeds are, for the most part, actions in the full sense of the word; not things done ''tween asleep and wake,' but acts or omissions ...
... course, solely of human actions or deeds; but the deeds are the predominant factor. And these deeds are, for the most part, actions in the full sense of the word; not things done ''tween asleep and wake,' but acts or omissions ...
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... an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not supernatural, of course) which enters the dramatic sequence neither from the agency of a character, nor.
... an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not supernatural, of course) which enters the dramatic sequence neither from the agency of a character, nor.
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... course of events but can neither calculate nor control it, is a tragic fact. The dramatist may use accident so as to make us feel this; and there are also other dramatic uses to which it may be put. Shakespeare accordingly admits it. On ...
... course of events but can neither calculate nor control it, is a tragic fact. The dramatist may use accident so as to make us feel this; and there are also other dramatic uses to which it may be put. Shakespeare accordingly admits it. On ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
Häufige Begriffe und Wortgruppen
action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole