Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... course, wish them to be read in their order, and a knowledge of the first two is assumed in the remainder; but readers who may prefer to enter at once on the discussion of the several plays can do so by beginning at page 89. Any one who ...
... course, wish them to be read in their order, and a knowledge of the first two is assumed in the remainder; but readers who may prefer to enter at once on the discussion of the several plays can do so by beginning at page 89. Any one who ...
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... course, to imagine whereabouts the persons are to stand, or what gestures they ought to use; but they want to realise fully and exactly the inner movements which produced these words and no other, these deeds and no other, at each ...
... course, to imagine whereabouts the persons are to stand, or what gestures they ought to use; but they want to realise fully and exactly the inner movements which produced these words and no other, these deeds and no other, at each ...
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... course, solely of human actions or deeds; but the deeds are the predominant factor. And these deeds are, for the most part, actions in the full sense of the word; not things done ''tween asleep and wake,' but acts or omissions ...
... course, solely of human actions or deeds; but the deeds are the predominant factor. And these deeds are, for the most part, actions in the full sense of the word; not things done ''tween asleep and wake,' but acts or omissions ...
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... an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not supernatural, of course) which enters the dramatic sequence neither from the agency of a character ,
... an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not supernatural, of course) which enters the dramatic sequence neither from the agency of a character ,
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... course of events but can neither calculate nor control it , is a tragic fact . The dramatist may use accident so as to make us feel this ; and there are also other dramatic uses to which it may be put . Shakespeare accordingly admits it ...
... course of events but can neither calculate nor control it , is a tragic fact . The dramatist may use accident so as to make us feel this ; and there are also other dramatic uses to which it may be put . Shakespeare accordingly admits it ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words