Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... evidently not his, and as it seems probable that the conception and construction of the whole tragedy should also be attributed to some other writer, I shall omit this work too from our preliminary discussions. LECTURE I THE SUBSTANCE ...
... evidently not his, and as it seems probable that the conception and construction of the whole tragedy should also be attributed to some other writer, I shall omit this work too from our preliminary discussions. LECTURE I THE SUBSTANCE ...
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... of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the authors of their proper woe'; and our fear and pity, though they will not cease or diminish,
... of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the authors of their proper woe'; and our fear and pity, though they will not cease or diminish,
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... evidently not the ultimate power, what is this power? What account can we give of it which will correspond with the imaginative impressions we receive? This will be our final question. The variety of the answers given to this question ...
... evidently not the ultimate power, what is this power? What account can we give of it which will correspond with the imaginative impressions we receive? This will be our final question. The variety of the answers given to this question ...
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... evidently powerful: he introduces scenes of battle. This is the case in Richard III., Julius Caesar, King Lear, Macbeth and Antony and Cleopatra. Richard, Brutus and Cassius, and Macbeth die on the battlefield. Even if his use of this ...
... evidently powerful: he introduces scenes of battle. This is the case in Richard III., Julius Caesar, King Lear, Macbeth and Antony and Cleopatra. Richard, Brutus and Cassius, and Macbeth die on the battlefield. Even if his use of this ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole