Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... expressions, it should be observed, do not imply that Shakespeare himself ever asked or answered such a question; that he set himself to reflect on the tragic aspects of life, that he framed a tragic conception, and still less that ...
... expressions, it should be observed, do not imply that Shakespeare himself ever asked or answered such a question; that he set himself to reflect on the tragic aspects of life, that he framed a tragic conception, and still less that ...
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... by Shakespeare's tragedies, —again in varying degrees. Perhaps they are the very strongest of the emotions awakened by the early tragedy of Richard II., where they receive a concentrated expression in Richard's famous speech.
... by Shakespeare's tragedies, —again in varying degrees. Perhaps they are the very strongest of the emotions awakened by the early tragedy of Richard II., where they receive a concentrated expression in Richard's famous speech.
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Andrew Cecil Bradley. where they receive a concentrated expression in Richard's famous speech about the antic Death, who sits in the hollow crown That rounds the mortal temples of a king, grinning at his pomp, watching till his vanity ...
Andrew Cecil Bradley. where they receive a concentrated expression in Richard's famous speech about the antic Death, who sits in the hollow crown That rounds the mortal temples of a king, grinning at his pomp, watching till his vanity ...
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... the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is essentially the expression of character. 3 Let us turn now from the 'action' to the.
... the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is essentially the expression of character. 3 Let us turn now from the 'action' to the.
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... expression. There can be no doubt that they do arise and that they ought to arise. If we do not feel at times that the hero is, in some sense, a doomed man; that he and others drift struggling to destruction like helpless creatures ...
... expression. There can be no doubt that they do arise and that they ought to arise. If we do not feel at times that the hero is, in some sense, a doomed man; that he and others drift struggling to destruction like helpless creatures ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole