Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... expressions, it should be observed, do not imply that Shakespeare himself ever asked or answered such a question; that he set himself to reflect on the tragic aspects of life, that he framed a tragic conception, and still less that ...
... expressions, it should be observed, do not imply that Shakespeare himself ever asked or answered such a question; that he set himself to reflect on the tragic aspects of life, that he framed a tragic conception, and still less that ...
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... by Shakespeare's tragedies, —again in varying degrees. Perhaps they are the very strongest of the emotions awakened by the early tragedy of Richard II., where they receive a concentrated expression in Richard's famous speech.
... by Shakespeare's tragedies, —again in varying degrees. Perhaps they are the very strongest of the emotions awakened by the early tragedy of Richard II., where they receive a concentrated expression in Richard's famous speech.
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Andrew Cecil Bradley. where they receive a concentrated expression in Richard's famous speech about the antic Death, who sits in the hollow crown That rounds the mortal temples of a king, grinning at his pomp, watching till his vanity ...
Andrew Cecil Bradley. where they receive a concentrated expression in Richard's famous speech about the antic Death, who sits in the hollow crown That rounds the mortal temples of a king, grinning at his pomp, watching till his vanity ...
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... the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is essentially the expression of character. 3 Let us turn now from the 'action' to the.
... the centre of the story, while the concentration of interest, in the greater plays, on the inward struggle emphasises the fact that this action is essentially the expression of character. 3 Let us turn now from the 'action' to the.
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... is their natural or fitting expression. There can be no doubt that they do arise and that they ought to arise. If we do not feel at times that the hero is, in some sense, a doomed man; that he and others drift struggling to destruction ...
... is their natural or fitting expression. There can be no doubt that they do arise and that they ought to arise. If we do not feel at times that the hero is, in some sense, a doomed man; that he and others drift struggling to destruction ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words