Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... fact. They have, again, up to a certain point, a common form or structure. This substance and this structure, which would be found to distinguish them, for example, from Greek tragedies, may, to diminish repetition, be considered once ...
... fact. They have, again, up to a certain point, a common form or structure. This substance and this structure, which would be found to distinguish them, for example, from Greek tragedies, may, to diminish repetition, be considered once ...
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... fact shown now in this tragedy and now in that? And we are putting the same question when we ask: What is Shakespeare's tragic conception, or conception of tragedy? These expressions, it should be observed, do not imply that Shakespeare ...
... fact shown now in this tragedy and now in that? And we are putting the same question when we ask: What is Shakespeare's tragic conception, or conception of tragedy? These expressions, it should be observed, do not imply that Shakespeare ...
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... facts, and to collect from them gradually an idea of Shakespearean Tragedy. And first, to begin from the outside ... fact, essentially a tale of suffering and calamity conducting to death. The suffering and calamity are, moreover ...
... facts, and to collect from them gradually an idea of Shakespearean Tragedy. And first, to begin from the outside ... fact, essentially a tale of suffering and calamity conducting to death. The suffering and calamity are, moreover ...
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... fact as it presented itself to the mediaeval mind. To the mediaeval mind a tragedy meant a narrative rather than a play, and its notion of the matter of this narrative may readily be gathered from Dante or, still better, from Chaucer ...
... fact as it presented itself to the mediaeval mind. To the mediaeval mind a tragedy meant a narrative rather than a play, and its notion of the matter of this narrative may readily be gathered from Dante or, still better, from Chaucer ...
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... fact to the mediaeval mind. It appealed strongly to common human sympathy and pity; it startled also another feeling, that of fear. It frightened men and awed them. It made them feel that man is blind and helpless, the plaything of an ...
... fact to the mediaeval mind. It appealed strongly to common human sympathy and pity; it startled also another feeling, that of fear. It frightened men and awed them. It made them feel that man is blind and helpless, the plaything of an ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole