Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... force in this action would be a serious error. But the supernatural is always placed in the closest relation with character. It gives a confirmation and a distinct form to inward movements already present and exerting an influence; to ...
... force in this action would be a serious error. But the supernatural is always placed in the closest relation with character. It gives a confirmation and a distinct form to inward movements already present and exerting an influence; to ...
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... forces, which animate these persons or groups, we may say that two of such passions or ideas, regarded as animating two persons or groups, are the combatants. The love of Romeo and Juliet is in conflict with the hatred of their houses ...
... forces, which animate these persons or groups, we may say that two of such passions or ideas, regarded as animating two persons or groups, are the combatants. The love of Romeo and Juliet is in conflict with the hatred of their houses ...
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... force, but comparatively little with himself, are all early plays. If we are to include the outer and the inner struggle in a conception more definite than that of conflict in general, we must employ some such phrase as 'spiritual force ...
... force, but comparatively little with himself, are all early plays. If we are to include the outer and the inner struggle in a conception more definite than that of conflict in general, we must employ some such phrase as 'spiritual force ...
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... force. In almost all we observe a marked one-sidedness, a predisposition in some particular direction; a total incapacity, in certain circumstances, of resisting the force which draws in this direction; a fatal tendency to identify the ...
... force. In almost all we observe a marked one-sidedness, a predisposition in some particular direction; a total incapacity, in certain circumstances, of resisting the force which draws in this direction; a fatal tendency to identify the ...
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... force, we realise the full power and reach of the soul, and the conflict in which it engages acquires that magnitude which stirs not only sympathy and pity, but admiration, terror, and awe. The easiest way to bring home to oneself the ...
... force, we realise the full power and reach of the soul, and the conflict in which it engages acquires that magnitude which stirs not only sympathy and pity, but admiration, terror, and awe. The easiest way to bring home to oneself the ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole