Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... give place to the end, which is that same imaginative reading or re-creation of the drama from which they set out, but a reading now enriched by the products of analysis, and therefore far more adequate and enjoyable. This, at any rate ...
... give place to the end, which is that same imaginative reading or re-creation of the drama from which they set out, but a reading now enriched by the products of analysis, and therefore far more adequate and enjoyable. This, at any rate ...
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... gives a confirmation and a distinct form to inward movements already present and exerting an influence; to the sense of failure in Brutus, to the stifled workings of conscience in Richard, to the half-formed thought or the horrified ...
... gives a confirmation and a distinct form to inward movements already present and exerting an influence; to the sense of failure in Brutus, to the stifled workings of conscience in Richard, to the half-formed thought or the horrified ...
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... give. He errs, by action or omission; and his error, joining with other causes, brings on him ruin. This is always so with Shakespeare. As we have seen, the idea of the tragic hero as a being destroyed simply and solely by external ...
... give. He errs, by action or omission; and his error, joining with other causes, brings on him ruin. This is always so with Shakespeare. As we have seen, the idea of the tragic hero as a being destroyed simply and solely by external ...
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... gives to Richard therefore a power which excites astonishment, and a courage which extorts admiration. He gives to Macbeth a similar, though less extraordinary, greatness, and adds to it a conscience so terrifying in its warnings and so ...
... gives to Richard therefore a power which excites astonishment, and a courage which extorts admiration. He gives to Macbeth a similar, though less extraordinary, greatness, and adds to it a conscience so terrifying in its warnings and so ...
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... give of it which will correspond with the imaginative impressions we receive? This will be our final question. The variety of the answers given to this question shows how difficult it is. And the difficulty has many sources. Most people ...
... give of it which will correspond with the imaginative impressions we receive? This will be our final question. The variety of the answers given to this question shows how difficult it is. And the difficulty has many sources. Most people ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole