Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... give place to the end, which is that same imaginative reading or re-creation of the drama from which they set out, but a reading now enriched by the products of analysis, and therefore far more adequate and enjoyable. This, at any rate ...
... give place to the end, which is that same imaginative reading or re-creation of the drama from which they set out, but a reading now enriched by the products of analysis, and therefore far more adequate and enjoyable. This, at any rate ...
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... gives a confirmation and a distinct form to inward movements already present and exerting an influence; to the sense of failure in Brutus, to the stifled workings of conscience in Richard, to the half-formed thought or the horrified ...
... gives a confirmation and a distinct form to inward movements already present and exerting an influence; to the sense of failure in Brutus, to the stifled workings of conscience in Richard, to the half-formed thought or the horrified ...
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... give. He errs, by action or omission; and his error, joining with other causes, brings on him ruin. This is always so with Shakespeare. As we have seen, the idea of the tragic hero as a being destroyed simply and solely by external ...
... give. He errs, by action or omission; and his error, joining with other causes, brings on him ruin. This is always so with Shakespeare. As we have seen, the idea of the tragic hero as a being destroyed simply and solely by external ...
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... gives to Richard therefore a power which excites astonishment, and a courage which extorts admiration. He gives to Macbeth a similar, though less extraordinary, greatness, and adds to it a conscience so terrifying in its warnings and ...
... gives to Richard therefore a power which excites astonishment, and a courage which extorts admiration. He gives to Macbeth a similar, though less extraordinary, greatness, and adds to it a conscience so terrifying in its warnings and ...
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... give of it which will correspond with the imaginative impressions we receive? This will be our final question. The variety of the answers given to this question shows how difficult it is. And the difficulty has many sources. Most people ...
... give of it which will correspond with the imaginative impressions we receive? This will be our final question. The variety of the answers given to this question shows how difficult it is. And the difficulty has many sources. Most people ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words