Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... heart-rending and mysterious, but it is not contemptible. The most confirmed of cynics ceases to be a cynic while he reads these plays. And with this greatness of the tragic hero (which is not always confined to him) is connected ...
... heart-rending and mysterious, but it is not contemptible. The most confirmed of cynics ceases to be a cynic while he reads these plays. And with this greatness of the tragic hero (which is not always confined to him) is connected ...
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... heart is iron, and it melts like snow before a fire. Lady Macbeth, who thought she could dash out her own child's brains, finds herself hounded to death by the smell of a stranger's blood. Her husband thinks that to gain a crown he ...
... heart is iron, and it melts like snow before a fire. Lady Macbeth, who thought she could dash out her own child's brains, finds herself hounded to death by the smell of a stranger's blood. Her husband thinks that to gain a crown he ...
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... casts them out, it has lost a part of its own substance,—a part more dangerous and unquiet, but far more valuable and nearer to its heart, than that which remains,—a Fortinbras, a Malcolm, an Octavius. There is no tragedy in.
... casts them out, it has lost a part of its own substance,—a part more dangerous and unquiet, but far more valuable and nearer to its heart, than that which remains,—a Fortinbras, a Malcolm, an Octavius. There is no tragedy in.
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... impressions. Sometimes from the very furnace of affliction a conviction seems borne to us that somehow, if we could see it, this agony counts as nothing against the heroism and love which appear in it and thrill our hearts.
... impressions. Sometimes from the very furnace of affliction a conviction seems borne to us that somehow, if we could see it, this agony counts as nothing against the heroism and love which appear in it and thrill our hearts.
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Andrew Cecil Bradley. and love which appear in it and thrill our hearts. Sometimes we are driven to cry out that these mighty or heavenly spirits who perish are too great for the little space in which they move, and that they vanish not ...
Andrew Cecil Bradley. and love which appear in it and thrill our hearts. Sometimes we are driven to cry out that these mighty or heavenly spirits who perish are too great for the little space in which they move, and that they vanish not ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole