Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... hero,' or at most of two, the 'hero' and 'heroine.' Moreover, it is only in the lovetragedies, Romeo and Juliet and Antony and Cleopatra, that the heroine is as much the centre of the action as the hero. The rest, including Macbeth, are ...
... hero,' or at most of two, the 'hero' and 'heroine.' Moreover, it is only in the lovetragedies, Romeo and Juliet and Antony and Cleopatra, that the heroine is as much the centre of the action as the hero. The rest, including Macbeth, are ...
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... hero, and—we must now add—generally extending far and wide beyond him, so as to make the whole scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the ...
... hero, and—we must now add—generally extending far and wide beyond him, so as to make the whole scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the ...
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... hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the ...
... hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the ...
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... hero has to face; and we are never allowed to feel that it has removed his capacity or responsibility for dealing with this problem. So far indeed are we from feeling this, that many readers run to the opposite extreme, and openly or ...
... hero has to face; and we are never allowed to feel that it has removed his capacity or responsibility for dealing with this problem. So far indeed are we from feeling this, that many readers run to the opposite extreme, and openly or ...
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... hero is one; or, more fully, as lying between two parties or groups, in one of which the hero is the leading figure. Or if we prefer to speak (as we may quite well do if we know what we are about)
... hero is one; or, more fully, as lying between two parties or groups, in one of which the hero is the leading figure. Or if we prefer to speak (as we may quite well do if we know what we are about)
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole