Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... hero,' 1 or at most of two, the 'hero' and 'heroine.' Moreover, it is only in the love- tragedies, Romeo and Juliet and Antony and Cleopatra, that the heroine is as much the centre of the action as the hero. The rest, including Macbeth ...
... hero,' 1 or at most of two, the 'hero' and 'heroine.' Moreover, it is only in the love- tragedies, Romeo and Juliet and Antony and Cleopatra, that the heroine is as much the centre of the action as the hero. The rest, including Macbeth ...
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... hero, and—we must now add—generally extending far and wide beyond him, so as to make the whole scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the ...
... hero, and—we must now add—generally extending far and wide beyond him, so as to make the whole scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the ...
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... hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the ...
... hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from this point of view, appear to us primarily as agents, 'themselves the ...
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... hero has to face; and we are never allowed to feel that it has removed his capacity or responsibility for dealing with this problem. So far indeed are we from feeling this, that many readers run to the opposite extreme, and openly or ...
... hero has to face; and we are never allowed to feel that it has removed his capacity or responsibility for dealing with this problem. So far indeed are we from feeling this, that many readers run to the opposite extreme, and openly or ...
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... hero is one; or, more fully, as lying between two parties or groups, in one of which the hero is the leading figure. Or if we prefer to speak (as we may quite well do if we know what we are about) of the.
... hero is one; or, more fully, as lying between two parties or groups, in one of which the hero is the leading figure. Or if we prefer to speak (as we may quite well do if we know what we are about) of the.
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words