Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... imaginations a shape a little less unlike the shape they wore in the imagination of their creator. For this end all those studies that were mentioned just now, of literary history and the like, are useful and even in various degrees ...
... imaginations a shape a little less unlike the shape they wore in the imagination of their creator. For this end all those studies that were mentioned just now, of literary history and the like, are useful and even in various degrees ...
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... imagination. But this alone will hardly suffice. It is necessary also, especially to a true conception of the whole, to compare, to analyse, to dissect. And such readers often shrink from this task, which seems to them prosaic or even a ...
... imagination. But this alone will hardly suffice. It is necessary also, especially to a true conception of the whole, to compare, to analyse, to dissect. And such readers often shrink from this task, which seems to them prosaic or even a ...
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... imagination is to make us regard the sufferings which accompany it, and the catastrophe in which it ends, not only or chiefly as something which happens to the persons concerned, but equally as something which is caused by them. This at ...
... imagination is to make us regard the sufferings which accompany it, and the catastrophe in which it ends, not only or chiefly as something which happens to the persons concerned, but equally as something which is caused by them. This at ...
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... imagination ran away with him, so that he drew a figure with which the destined pleasant ending would not harmonise. In the circumstances where we see the hero placed, his tragic trait, which is also his greatness, is fatal to him. To ...
... imagination ran away with him, so that he drew a figure with which the destined pleasant ending would not harmonise. In the circumstances where we see the hero placed, his tragic trait, which is also his greatness, is fatal to him. To ...
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... imaginative impressions we receive? This will be our final question. The variety of the answers given to this question shows how difficult it is. And the difficulty has many sources. Most people, even among those who know Shakespeare ...
... imaginative impressions we receive? This will be our final question. The variety of the answers given to this question shows how difficult it is. And the difficulty has many sources. Most people, even among those who know Shakespeare ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole