Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... believe it will be found that almost all the prominent accidents occur when the action is well advanced and the impression of the causal sequence is too firmly fixed to be impaired. Thus it appears that these three elements in the 'action'
... believe it will be found that almost all the prominent accidents occur when the action is well advanced and the impression of the causal sequence is too firmly fixed to be impaired. Thus it appears that these three elements in the 'action'
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... impression. This central feeling is the impression of waste. With Shakespeare, at any rate, the pity and fear which are stirred by the tragic story seem to unite with, and even to merge in, a profound sense of sadness and mystery, which ...
... impression. This central feeling is the impression of waste. With Shakespeare, at any rate, the pity and fear which are stirred by the tragic story seem to unite with, and even to merge in, a profound sense of sadness and mystery, which ...
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... impressions like these, it is important, on the other hand, to notice what we do not find there. We find ... impression (which, it must be observed, is not purely fatalistic) that a family, owing to some hideous crime or ...
... impressions like these, it is important, on the other hand, to notice what we do not find there. We find ... impression (which, it must be observed, is not purely fatalistic) that a family, owing to some hideous crime or ...
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... impression of the force which is to prove fatal to the hero's happiness, so that, when we see the hero himself, the shadow of fate already rests upon him. And an effect of this kind is to be noticed in other tragedies. We are made ...
... impression of the force which is to prove fatal to the hero's happiness, so that, when we see the hero himself, the shadow of fate already rests upon him. And an effect of this kind is to be noticed in other tragedies. We are made ...
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... impression that in his decline and fall the doer's act is returning on his own head. And, finally, as used by Shakespeare, it makes the first half of the play intensely interesting and dramatic. Action which effects a striking change in ...
... impression that in his decline and fall the doer's act is returning on his own head. And, finally, as used by Shakespeare, it makes the first half of the play intensely interesting and dramatic. Action which effects a striking change in ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole