Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... interest only to scholars, who may find, I hope, something new in them. I have quoted, as a rule, from the Globe edition, and have referred always to its numeration of acts, scenes, and lines. November, 1904. NOTE TO SECOND AND ...
... interest only to scholars, who may find, I hope, something new in them. I have quoted, as a rule, from the Globe edition, and have referred always to its numeration of acts, scenes, and lines. November, 1904. NOTE TO SECOND AND ...
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... interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is possible to find places where he has given a certain indulgence to ...
... interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is possible to find places where he has given a certain indulgence to ...
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... interest of the play. (c) Shakespeare, lastly, in most of his tragedies allows to 'chance' or 'accident' an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not ...
... interest of the play. (c) Shakespeare, lastly, in most of his tragedies allows to 'chance' or 'accident' an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not ...
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... interest and dwells in our memory at least as much as the conflict between them, is the conflict within one of them. And so it is, though not in the same degree, with Antony and Cleopatra and even with Othello; and, in fact, in a ...
... interest and dwells in our memory at least as much as the conflict between them, is the conflict within one of them. And so it is, though not in the same degree, with Antony and Cleopatra and even with Othello; and, in fact, in a ...
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... interest completely eclipses towards the close of the play that of the outward conflict. Romeo and Juliet, Richard III., Richard II., where the hero contends with an outward force, but comparatively little with himself, are all early ...
... interest completely eclipses towards the close of the play that of the outward conflict. Romeo and Juliet, Richard III., Richard II., where the hero contends with an outward force, but comparatively little with himself, are all early ...
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole