Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... interest only to scholars, who may find, I hope, something new in them. I have quoted, as a rule, from the Globe edition, and have referred always to its numeration of acts, scenes, and lines. November, 1904. NOTE TO SECOND AND ...
... interest only to scholars, who may find, I hope, something new in them. I have quoted, as a rule, from the Globe edition, and have referred always to its numeration of acts, scenes, and lines. November, 1904. NOTE TO SECOND AND ...
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... interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is possible to find places where he has given a certain indulgence to ...
... interest lay here. To say that it lay in mere character, or was a psychological interest, would be a great mistake, for he was dramatic to the tips of his fingers. It is possible to find places where he has given a certain indulgence to ...
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... interest of the play. (c) Shakespeare, lastly, in most of his tragedies allows to 'chance' or 'accident' an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not ...
... interest of the play. (c) Shakespeare, lastly, in most of his tragedies allows to 'chance' or 'accident' an appreciable influence at some point in the action. Chance or accident here will be found, I think, to mean any occurrence (not ...
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... interest and dwells in our memory at least as much as the conflict between them, is the conflict within one of them. And so it is, though not in the same degree, with Antony and Cleopatra and even with Othello; and, in fact, in a ...
... interest and dwells in our memory at least as much as the conflict between them, is the conflict within one of them. And so it is, though not in the same degree, with Antony and Cleopatra and even with Othello; and, in fact, in a ...
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... interest completely eclipses towards the close of the play that of the outward conflict. Romeo and Juliet, Richard III., Richard II., where the hero contends with an outward force, but comparatively little with himself, are all early ...
... interest completely eclipses towards the close of the play that of the outward conflict. Romeo and Juliet, Richard III., Richard II., where the hero contends with an outward force, but comparatively little with himself, are all early ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words