Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... kind of poetry called tragedy. These things are all possible; how far any one of them is probable we need not discuss; but none of them is presupposed by the question we are going to consider. This question implies only that, as a ...
... kind of poetry called tragedy. These things are all possible; how far any one of them is probable we need not discuss; but none of them is presupposed by the question we are going to consider. This question implies only that, as a ...
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... kind. They are also, as a rule, unexpected, and contrasted with previous happiness or glory. A tale, for example, of a man slowly worn to death by disease, poverty, little cares, sordid vices, petty persecutions, however piteous or ...
... kind. They are also, as a rule, unexpected, and contrasted with previous happiness or glory. A tale, for example, of a man slowly worn to death by disease, poverty, little cares, sordid vices, petty persecutions, however piteous or ...
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... with members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is no mere private person;
... with members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is no mere private person;
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Andrew Cecil Bradley. difference of kind. Othello himself is no mere private person; he is the General of the Republic. At the beginning we see him in the Council-Chamber of the Senate. The consciousness of his high position never leaves ...
Andrew Cecil Bradley. difference of kind. Othello himself is no mere private person; he is the General of the Republic. At the beginning we see him in the Council-Chamber of the Senate. The consciousness of his high position never leaves ...
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... kind of interest which predominates in a novel like The Woman in White, it is clear that he cared even less. I do not mean that this interest is absent from his dramas; but it is subordinate to others, and is so interwoven with them ...
... kind of interest which predominates in a novel like The Woman in White, it is clear that he cared even less. I do not mean that this interest is absent from his dramas; but it is subordinate to others, and is so interwoven with them ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer appears Back beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago Iago's idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never Note observe once Ophelia Othello passage passion perhaps persons play possible present probably question reader reason refer regard remember scene seems seen sense Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tragedy tragic true truth turn whole