Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethLitres, 02.12.2021 |
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... least, as in Romeo and Juliet, with members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is ...
... least, as in Romeo and Juliet, with members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is ...
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... least may be said of the principal persons, and, among them, of the hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from ...
... least may be said of the principal persons, and, among them, of the hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from ...
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... least one of these cases, Macbeth, there is something a little external in this way of looking at the action. And when we come to some other plays this feeling increases. No doubt most of the characters in Hamlet, King Lear, Othello, or ...
... least one of these cases, Macbeth, there is something a little external in this way of looking at the action. And when we come to some other plays this feeling increases. No doubt most of the characters in Hamlet, King Lear, Othello, or ...
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... least at some point in the action, and sometimes at many, torn by an inward struggle; and it is frequently at such points that Shakespeare shows his most extraordinary power. If further we compare the earlier tragedies with the later ...
... least at some point in the action, and sometimes at many, torn by an inward struggle; and it is frequently at such points that Shakespeare shows his most extraordinary power. If further we compare the earlier tragedies with the later ...
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... least, the desire for the hero's ruin. The tragic hero with Shakespeare, then, need not be 'good,' though generally he is 'good' and therefore at once wins sympathy in his error. But it is necessary that he should have so much of ...
... least, the desire for the hero's ruin. The tragic hero with Shakespeare, then, need not be 'good,' though generally he is 'good' and therefore at once wins sympathy in his error. But it is necessary that he should have so much of ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Back Banquo believe blood Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole wife Witches words